Cannes film festival: This could be better paced but the crisis which descends on an up-against-it dairy farm is delivered by some very memorable goonsThere’s nothing like a home-invasion suspense thriller to provide a change of pace in the Cannes competition, and Léa Mysius’s film – adapted from the French bestseller Histoires de la Nuit by Laurent Mauvignier – isn’t at all bad, although it runs out of narrative steam in the third act and one particular shock-twist appears to unshock and untwist itself. Yet the film certainly delivers some sinister rural strangeness in the France profonde countryside and some gonzo shootouts; plus there is a ripe turn from Benoît Magimel, who with every film seems to morph further into a cross between Gérard Depardieu and Christopher Walken.In a very remote bucolic village, Thomas (Bastien Bouillon) is a hardworking dairy farmer who took over the family smallholding after his father killed himself. After a whirlwind romance, he married Nora (Hafsia Herzi), a rather glamorous city-slicker of a woman who just showed up in the neighbourhood; they have a daughter, Ida who has recently irritated Nora by posting a wacky video of the three of them doing a goofy “family dance”, which has gone viral. The family gets on very well with an elegant artist who lives alone next door, played by Monica Bellucci on pretty stately form. Thomas has clearly got money worries; we see him on the phone trying to borrow cash from someone who has reluctantly helped him out before, as he needs €300 to pay for Nora’s approaching 40th birthday party. On the day itself, three sinister tough guys show up in the house, played by Magimel, Paul Hamy and Alane Delhaye. We might think we know who they’ve come to see and why – but things are a little more complicated than that. Continue reading...

Source: https://www.theguardian.com/film/2026/may/22/the-birthday-party-review-grimly-compulsive-unhappy-occasion-in-deepest-france